![]() On the shoot we hitched the clothes up at one side, just to style it so it felt a bit more like her. The way that she wore the clothes was so important. ![]() PL: When we were doing the shoots, the clothes just didn’t hang right on the mannequins. So, the idea of the sets came from this desire to show the archive in a way that felt very Amy. I felt like it needed Amy there and if we couldn’t have her physically, we were going do it in another way. You put it on a mannequin and it’s just a dress you put it on Amy and it becomes a whole other thing. I wanted to breathe some life into this archive and show it in a way that really embodied Amy. I had always wanted to shoot it, but it was quite difficult, because she is no longer here. I had access to her archive, which had been in a lock-up for the last 10 years, hidden away from the world. NP: First and foremost – speaking as her stylist – this book is about celebrating Amy’s style and music. PL: Why did you feel that it was important to create the dressed sets, or ‘Amy Worlds’ in the book?
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